ENTER THE DRAGON
a film by Robert Clouse released through Warner Brothers Pictures in
1973
In the water, Esther
Williams was magical. Like Miss Williams, Bruce Lee is a force of nature
when he is fighting. Otherwise, he is a fish-out-of-water. In
Enter the Dragon he showed promise, with his non-plussed reactions when
chaos is befalling everyone around him (like the cobra-in-the-control-room
scene). But he is terrible with dialogue. Maybe he would have
improved. But we never got a chance to find out. His last completed
film, Enter the Dragon plays to his strengths. It boasts some of
the greatest cinematic fights (up to that point) in history.
Ably supported by John Saxon as Roper, and Jim Kelly as Williams, the
sacrificial lamb, Bruce Lee's character, working for the British government in
Hong Kong, wows as a martial-arts James Bond tasked with the
exposure/destruction of a Dr. No-esque figure, the imperious Han. The film
moves along nicely, and Lee having a personal motive to vanquish Han (his
henchman's sexual menace prompted the suicide of his sister) invests the
character with the necessary passion. And the filmmakers were smart to
explain why no guns are on the island, and, thus, why Lee isn't shot once he
starts making a mess.
This is a ground-breaking
historic work, but its obvious borrowings, fortune-cookie philosophy, and
pointless nudity drag it down. Enter the Dragon is both venerable
artifact and vapid entertainment.
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